A friend on MySpace from Finland asked me to tell her a little about Halloween customs here since Finland doesn't have Halloween. I explained how it used to be and how parents now tend to throw Halloween parties at home for safety reasons.
In the eighties, when my old neighbors still lived here and their daughter was 8, I was honoured to be the only adult, other than' mom', at her party. I came as a gypsy. Krista (the eight year old) helped me fasten scarves at my waist, then rat my hair straight up and paint my nails black with some polish she had. I 'told fortunes' (always good, of course) but still scared one little boy to death with my outfit and he wouldn't come over:-)
This photo was taken before Krista applied the black polish. Look pretty scarey don't I??? My hair isn't that dark, but photographed that way. This scan is a little fuzzy since I did it from a paper print out I keep hanging next to my puter to scare away computer viruses. The original is buried in an album somewhere. Now, share your neighborhood or personal traditions for those bloggers living in countries that don't have Halloweenm too?? Help me out?
(Click to enlarge)
Monday, October 30, 2006
Saturday, October 28, 2006
I'm trapped in a pumpkin and can't get out!
Tuesday, October 24, 2006
Still have it....
...the cold. It's been over a month and every time I think I'm starting to feel better I'm down again, dizzy and weak. I can't remember when I've had one linger this long. Can't think to post and don't have anything in my drafts folder, which I sometimes do. I really do hate this.
Pris
Pris
Saturday, October 21, 2006
Brains Wired to Connect (from Newsweek)
(I read this one page article in my current Newsweek and it directed me to the online version. Well worth the read!)
Oct. 23, 2006 issue - Carl Marci was jubilant. After a year in therapy, trying to decide whether to propose to his girlfriend, he had finally taken the plunge—and she had said yes! As Marci recounted the story to his shrink days later, his therapist appeared to share the triumph with him. And it wasn't just an act. Marci, a psychiatrist himself at Massachusetts General Hospital, had wired himself and his therapist to special equipment that records heart-rate variability and "skin conductivity"—two measures that, taken together, indicate the ebb and flow of emotional arousal. When he examined the data later, Marci was stunned. Lines on the two charts rose and fell in perfect unison, revealing that his therapist was truly sharing his excitement. "It's no accident that we speak of being on the same wavelength with someone," says Marci. "In a moment like that, you really are."
continue article here.
Oct. 23, 2006 issue - Carl Marci was jubilant. After a year in therapy, trying to decide whether to propose to his girlfriend, he had finally taken the plunge—and she had said yes! As Marci recounted the story to his shrink days later, his therapist appeared to share the triumph with him. And it wasn't just an act. Marci, a psychiatrist himself at Massachusetts General Hospital, had wired himself and his therapist to special equipment that records heart-rate variability and "skin conductivity"—two measures that, taken together, indicate the ebb and flow of emotional arousal. When he examined the data later, Marci was stunned. Lines on the two charts rose and fell in perfect unison, revealing that his therapist was truly sharing his excitement. "It's no accident that we speak of being on the same wavelength with someone," says Marci. "In a moment like that, you really are."
continue article here.
Tuesday, October 17, 2006
Red Ones, Blue Ones
A trained corsetière,
my aunt measured
large breasts
small breasts
just blooming breasts
over the hill breasts
randy breasts
shy breasts
well used breasts
never been touched breasts.
At least once a week
she spoke of her dreams.
Balloons. Always about balloons.
Red ones blue ones white ones
all set adrift and rising until,
peak reached and deflating,
they fell to the earth in soft plops.
Like a late summer rain.
Like the sound of a boy's gasp
as he jerks off to a photo
bought for a buck.
Pris Campbell
(c)2006
my aunt measured
large breasts
small breasts
just blooming breasts
over the hill breasts
randy breasts
shy breasts
well used breasts
never been touched breasts.
At least once a week
she spoke of her dreams.
Balloons. Always about balloons.
Red ones blue ones white ones
all set adrift and rising until,
peak reached and deflating,
they fell to the earth in soft plops.
Like a late summer rain.
Like the sound of a boy's gasp
as he jerks off to a photo
bought for a buck.
Pris Campbell
(c)2006
Sunday, October 15, 2006
Time Capsule Site
This site came from a Kim Komando newsletter. I always feel safer checking out her sites since she's done it first. Anyway, it's fun. The links up top will tell you about the project and the 'contribute' link will allow you to upload photos telling of you now, your past, love, beauty, and other choices. A space allows you to describe the photo. If you search for 'pris' , I added some and used that as my keyword on all of them. They came up for me in a search. A jpeg of a poem or your art or anything really would be interesting.
Click on Time Capsule.
Click on Time Capsule.
Friday, October 13, 2006
Munch is far more than his 'The Scream'
(click both paintings to enlarge)
Ashes by Munch
In this painting he laments the end of an earlier affair, his first, with the wife of a distant cousin. Munch will forever be known for his painting, The Scream. In reality, many of Munch's paintings told the story of his life and loves in colorful, passionate artwork.
Dance of Life by Munch
(taken from a site about Munch) A later love affair with Tulla Larsen was oppressive. He continually retreated from her, unable to respond to the intensity of her affection (Müller-Westermann 79). Knowing these biographical details, one might suspect that The Dance of Life is rooted in Munch's relationships with his early love and Tulla Larsen. The man in the center of the painting is Munch himself, dancing with his old love, Mrs. Heiberg. Tulla Larsen is displayed on the left wanting Munch's love and on the right side, she stands rejected by him. Munch's description of the painting in his diary supports this interpretation: I am dancing with my true love - a memory of her. A smiling, blond-haired woman enters who wishes to take the flower of love - but it won't allow itself to be taken. And on the other side one can see her dressed in black troubled by the couple dancing - rejected - as I was rejected from her [Mrs. Heiberg's] dance (Müller-Westermann 78).
Ashes by Munch
In this painting he laments the end of an earlier affair, his first, with the wife of a distant cousin. Munch will forever be known for his painting, The Scream. In reality, many of Munch's paintings told the story of his life and loves in colorful, passionate artwork.
Dance of Life by Munch
(taken from a site about Munch) A later love affair with Tulla Larsen was oppressive. He continually retreated from her, unable to respond to the intensity of her affection (Müller-Westermann 79). Knowing these biographical details, one might suspect that The Dance of Life is rooted in Munch's relationships with his early love and Tulla Larsen. The man in the center of the painting is Munch himself, dancing with his old love, Mrs. Heiberg. Tulla Larsen is displayed on the left wanting Munch's love and on the right side, she stands rejected by him. Munch's description of the painting in his diary supports this interpretation: I am dancing with my true love - a memory of her. A smiling, blond-haired woman enters who wishes to take the flower of love - but it won't allow itself to be taken. And on the other side one can see her dressed in black troubled by the couple dancing - rejected - as I was rejected from her [Mrs. Heiberg's] dance (Müller-Westermann 78).
Wednesday, October 11, 2006
Surviving Plato's Cave
It's always the same...
this dream that opens up
before me, like the yellowed pages
of an old New York Times
and it won't let me go before
the last page is read and
the ending obituary wept over endlessly.
From outside, the house looks innocent enough.
Grand, even.
A President could live there, or
either of Trump's ex-wives.
Inside, the same dirty rooms
with the same perspiring paint
are lined, wall to wall, with plush dusty chairs
under a leaky roof and a foundation
that sags like an old lady's bottom.
I know, in every dream, that this house waits,
shaking and trembling,
to umbrella in on me, forcing
me to salvation in my secret hideaway,
my bomb shelter,
my Plato's cave,
watching the shadows move and
staring down the devil
until he finally casts away his eyes
in shame.
this dream that opens up
before me, like the yellowed pages
of an old New York Times
and it won't let me go before
the last page is read and
the ending obituary wept over endlessly.
From outside, the house looks innocent enough.
Grand, even.
A President could live there, or
either of Trump's ex-wives.
Inside, the same dirty rooms
with the same perspiring paint
are lined, wall to wall, with plush dusty chairs
under a leaky roof and a foundation
that sags like an old lady's bottom.
I know, in every dream, that this house waits,
shaking and trembling,
to umbrella in on me, forcing
me to salvation in my secret hideaway,
my bomb shelter,
my Plato's cave,
watching the shadows move and
staring down the devil
until he finally casts away his eyes
in shame.
Tuesday, October 10, 2006
For my first day back blogging...
Was getting well, then the cold came back and grabbed me again. Have been sleeping the past two days, but I have some things backlogged that I'd like to post so will do that until better again. Thanks again for everybody's well wishes while I was gone.
Two pieces of artwork I especially like:
Normally not a huge Monet OR a big Impressionistic fan, this one grabbed me.(click to enlarge)
Red Poppy by Redon. Google him. It's worth the time. His work is fantastic. I first saw one of his 'dream' paintings in the seventies at the National Art Gallery in Washington. My feet were rooted in place. I didn't want to leave that painting. This is one of his more staid ones, but his use of color in his art is amazing. Picasso's Blue Period came from studying Redon's earlier work...his sketches of gaunt, big eyed men, some of whom are almost identical to Picasso's figures in blue. To my knowledge, Picasso never attributed the influence. He simply stole the glory and ran with it.
Two pieces of artwork I especially like:
Normally not a huge Monet OR a big Impressionistic fan, this one grabbed me.(click to enlarge)
Red Poppy by Redon. Google him. It's worth the time. His work is fantastic. I first saw one of his 'dream' paintings in the seventies at the National Art Gallery in Washington. My feet were rooted in place. I didn't want to leave that painting. This is one of his more staid ones, but his use of color in his art is amazing. Picasso's Blue Period came from studying Redon's earlier work...his sketches of gaunt, big eyed men, some of whom are almost identical to Picasso's figures in blue. To my knowledge, Picasso never attributed the influence. He simply stole the glory and ran with it.
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